Abby Bardi is the author of the novels The Book of Fred,
The Secret Letters, and Double Take. Her short fiction has
appeared in Quarterly West, Rosebud, Monkeybicycle,
and in the anthologies High Infidelity, Grace and Gravity, and Reader,
I Murdered Him, and her short story “Abu the Water Carrier” was the winner
of The Bellingham Review’s 2016
Tobias Wolff award for fiction. She has an MFA in Creative Writing and a Ph.D.
in English from the University of Maryland
and teaches writing and literature in the Washington,
DC, area. She lives in Ellicott
City, Maryland, the oldest
railroad depot in America.
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About the Book:
a mutual friend, their conversations take them back into their shared past and to the revelation that Bando may have been murdered. To find out who murdered him, Rachel is forced to revisit her stormy 1960s adolescence, a journey that brings her into contact with her old friends, her old self, and danger.
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Thanks for this
interview, Abby Bardi. Can we begin by having you tell us about yourself from a
writer’s standpoint?
Thanks for having me! I love talking about writing, which is
my passion and addiction. Most of my life is about writing: I teach writing,
and I write every day, even if it’s only in my journal. And sometimes my
writing gets published. Double Take (HarperCollins
Impulse) is my third novel; my previous novels are The Book of Fred (Washington Square Press) and The Secret Letters (also HarperCollins Impulse). I’ve also
published short fiction in some journals and in a few anthologies.
When not writing,
what do you like to do for relaxation and/or fun?
When I’m not writing, I’m probably dancing or walking my
dog. Sometimes both at once.
Congratulations on
your new book! Can you give us the very first page of your book so that we can
get a glimpse inside? (Just the first page please)
1975
I recognized his voice from across
the room. When I handed him a menu, he looked up absent-mindedly and went on
talking to some guys, then did a double take.
“Cookie?” he
said.
I tried on the
name like an old article of clothing to see if it still fit. It felt like a
suede fringed jacket. “Yep,” I said.
“Wow. You look so
different.”
“I cut my hair.”
“Everyone did.”
“I’m older,” I
said.
“Everyone’s
older.”
“You look exactly
the same,” I said. He was wearing a beat-up leather jacket over a green
T-shirt, maybe the same jacket and T-shirt he had always worn. His thick black
hair was shorter now and curly, skin still tan from summer, small mouth with
perfect teeth. He still looked tough and handsome, but in a creepy way, like
someone you couldn’t trust.
“Cookie, what the
hell are you doing here?”
“I work here. I’d
rather you didn’t call me that. My name is Rachel.”
“I thought your
name was Cookie.”
“Nope. Do people
still call you Rat?”
He laughed.
“Nowadays I go by Joey.”
“Okay, Joey,” I
said, since this was nowadays.
“Miss?” a voice
called from a nearby table. The voice brought me back to where I was standing,
in Diana’s Grotto, a Greek diner on 57th Street,
with ten tables full of customers. For a moment, I had thought I was in Casa
Sanchez.
Would you say it’s
been a rocky road for you in regards to getting your book written and published
or pretty much smooth sailing? Can you
tell us about your journey?
This book had a very long and often tortured journey. I
first jotted down notes for it in the year it takes place, 1975, then put it
away and forgot about it. Then every so often over the years I would pick it up
and write a little. I’ve worked on it off and on for literally decades while I
went on to other projects. Then recently I went back and finally finished it.
If you had to
summarize your book in one sentence, what would that be?
When Rachel, an arty waitress with no career or life skills,
graduates from college in 1975, she is forced to confront her shady past in the
Sixties to understand the death of one of her best friends.
What makes your book
stand out from the rest?
I think few people writing today about young people in the
Sixties and Seventies actually lived through that time. They say that if you
can remember the Sixties, you weren’t really there, but I do and I was.
If your book was put
in the holiday section of the store, what holiday would that be and why?
It would probably be a combination of Christmas and Hanukah
because Rachel is half-Jewish and half-Catholic—with maybe a little Winter
Solstice thrown in because while the book is very dark at times, there is
always a promise of returning light.
Would you consider
turning your book into a series or has that already been done?
Not exactly, but in my latest novel, which is almost
finished, I’ve returned to the Chicago setting of Double Take, as it is in the past (1893) and the future (because:
time travel).
What’s next for you?
I think I’m going to go have a sandwich. Oh, you mean the
writing! I’m editing the time-travel novel and hoping it doesn’t take me as
long to finish it as Double Take did.
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